Channel 4’s daughter site 4talent has done a cool preview piece on projectXpresents and some interview material from yours truly…
A new venue is a great opportunity to be taken seriously and start from the ground up – it’s easy for VJs to think outside the box.
referring to the colour scale for music table i used to translate rich batsford’s midi note info into light:
i used the dd jameson (who wrote a book called Colour-Music) scale last time. this time i decided to use scriabin for it was less linear – it doesn’t simply translate the roygbiv colours to the seven notes like newton originally did, it uses a circle of fifths to achieve the matchings – so looking further into Scriabin i found this:
Before his death, Scriabin was working towards one such megalomaniacal venture, titled Mysterium, which was to be performed in the foothills of the Himalayas. He imagined bells suspended from clouds to summon spectators, sunrises as preludes and sunsets as codas, flames throwing up sheets of fire, and scents choreographed in the air. At the end of the seven-day performance, his antithesis to God’s creation, the world was to explode in an apocalyptic flash of mystical bliss.
“There will not be a single spectator. All will be participants. The work requires special people, special artists and a completely new culture. The cast of performers includes an orchestra, a large mixed choir, an instrument with visual effects, dancers, a procession, incense, and rhythmic textural articulation. The cathedral in which it will take place will not be of one single type of stone but will continually change with the atmosphere and motion of the Mysterium. This will be done with the aid of mists and lights, which will modify the architectural contours.”
if that isn’t close to what project x is trying to achieve i don’t know what is! bring on the apocalyptic flash of mystical bliss…